This image doesn’t come close to expressing the subtle changes in the building’s appearance that occur from day to day and even moment to moment. The light and clouds of a recent summer evening gave the glass a warm hue to create a peaceful scene. The water from Walter De Maria’s One Sun / 34 Moons is tranquil and still as it responded with a perfect reflection.
If you look closely enough, you can see George Segal’s Rush Hour in its new location at the juncture of the Bloch Building and the Nelson-Atkins Building. On this night, it seems the figures weren’t in too much of a “rush” to escape this picturesque moment.