HomeExhibitionsPainted Worlds: Color and Culture in Mesoamerican Art
Painted Worlds: Color and Culture in Mesoamerican Art
O giver of Life, Who paints with flowers, Who bestows color with songs, Who gives form to all those Who dwell on earth; We live here only In your book of paintings.
Ballads of the Lords of New Spain, about 1560 Attributed to Nezahualcoyotl, Nahua poet, ruler of Texcoco
The Nelson-Atkins Museum of Art’s first presentation of Mesoamerican art in 40 years, Painted Worlds: Color and Culture in Mesoamerican Art explores the relationships between color, the cosmos, and creation — both divine and artistic — in the region comprising much of modern-day Mexico and Central America.
Female Effigy Vessel, Huastec, 900–1200 C.E. Ceramic, 10 3/4 x 8 1/2 x 8 inches (27.4 x 21.6 x 20.3 cm). Los Angeles County Museum of Art.
A sacred spectrum
Painted Worlds traces a color-coded journey through the story of creation: from birth to maturity to primordial darkness. Along the way, learning stations and multimedia experiences teach us about the sciences of color-making, interpret dialogues between Western and Indigenous practices, map the Mesoamerican idea of the cosmos, and what new international scientific research reveals about Indigenous knowledge and traditions.
The Stuff of Life
Painted Worlds highlights the breadth of Mesoamerican art across roughly 250 objects, many rarely or never seen before in the U.S. Glittering mosaics, intricate textiles, mural fragments from Teotihuacán, richly colored ceramics — these and more remarkable objects on view reveal how Mesoamerican artists expressed their worldviews through the manipulation of color and natural materials. Guests can enjoy a rare, close-up look at the Codex Laud, a book of divination and one of only about 15 surviving texts that predate Spanish colonization. The codex is made newly accessible through tactile and digital experiences.
Codex Laud (Codex Mictlan) Mexican, Pre-Hispanic, possibly 15th century. Painting on gesso ground, deerskin with covers of jaguar skin.
Living arts
Spanning 3,000 years of Indigenous Mesoamerican art, Painted Worlds reveals how traditions continued from the pre-Hispanic past to today — often disrupted and changed by colonial forces. The contemporary Indigenous artists featured in this exhibition are in conversation with their ancestors, having maintained and revitalized traditional knowledge.
In return for their support, Nelson-Atkins members receive myriad benefits — including early access and free daily admission to featured exhibitions like Painted Worlds. Visit the Nelson-Atkins Info Desk in Bloch Lobby to ask about rolling the price of your exhibition ticket into the cost of a new membership.
Figurilla deidad o sobrenatural, Toltec, Mexico, Central Highlands, 650–900 C.E. Ceramic, 8 1/8 x 4 7/8 x 3 1/2 inches (20.6 x 12.4 x 8.9 cm). Museo Nacional de Antropología, México.
Plate with Teotihuacan War Serpent on White and Black Backgrounds, Maya, Guatemala or Mexico, Northern Petén or Southern Campeche, 650–800 C.E. Slip-painted ceramic, 16 x 15 ½ x 3 inches (40.6 x 39.4 x 7.6 cm). Los Angeles County Museum of Art.
Urna funeraria, Mixtec, Mexico, Oaxaca, 300–600 C.E. Ceramic with pigment, 13 3/8 × 6 3/4 inches (34 × 17 cm). Museo de las Culturas de Oaxaca. Photo courtesy of Museo de las Culturas de Oaxaca/Ex Convento de Santo Domingo Guzmán.
Figural Urn, Zapotec, 500–600 C.E. Clay and pigment, 25 x 25 x 12 1/2 inches (63.5 x 63.5 x 31.75 cm). The Nelson-Atkins Museum of Art, Purchase: William Rockhill Nelson Trust, 61-16.
Figural Urn, Zapotec, 500 C.E. Clay and pigment, 21 × 11 × 12 inches (53.34 × 27.94 × 30.48 cm). The Nelson-Atkins Museum of Art, Gift of Estelle and Morton Sosland, 73-40.
Figurilla deidad o sobrenatural, Toltec, Mexico, Central Highlands, 650–900 C.E. Ceramic, 8 1/8 x 4 7/8 x 3 1/2 inches (20.6 x 12.4 x 8.9 cm). Museo Nacional de Antropología, México.
Organized by the Los Angeles County Museum of Art. Major loans courtesy of the Instituto Nacional de Antropología e Historia, Mexico. In Kansas City, generous support provided by Lilly Endowment Inc., Paul DeBruce and Linda Woodsmall-DeBruce, G. Kenneth and Ann Baum Philanthropic Fund, Evelyn Craft Belger and Richard Belger, Nancy and Rick Green, Don Hall Jr., Shirley and Barnett Helzberg Jr., Neil Karbank and Gretchen Calhoun, Richard J. Stern Foundation for the Arts, the Campbell/Calvin Fund for Exhibitions, and the Henry & Marion Bloch Foundation Fund.
